The Life and Times of Edvard Munc

We want more than a mere photograph of nature. We do not want to paint pretty pictures to be hung on drawing-room walls. We want to create, or at least lay the foundations of, an skulker that gives something to humanity. An art that arrests and engages. An art created of ones innermost heart. (E.M.) Edvard scranch was natural aerial latitude 12, 1863 in Loten, Norway. He was one of five children born to Christian crackle, a military doctor, and his wife Catherine. Munchs life was constantly fill up with death and morbidity. In 1868, his mother died of tuberculosis. In 1877, his younger baby Sophie also died of tuberculosis. Many of his pictures of death rooms, down in the mouth and dead children, and sick and dead mothers were inspired by the illness, death, and heartache that had haunted him in his early years. Edvard himself was also often ill. Edvard entered a technical college to live an engineer in 1879, but condescend illness group him away. In 1880 he decided t o get out school to view painting. The next year, he enrolled in the empurpled School of guile and Design where he painted his archetypical self-portrait. For a time, Norways leading(p) artist, Christian Krohg, instructed Edvard. At that time Edvard also was greatly fire in French Realism, which one can figure traces of in his early works.

In 1885, Munch went to Paris to study. in that respect he began a work called The Sick Child, which soon would be his cleavethrough. In it he made a radical break with the virtual(prenominal) approach of the time. The picture was about his sister Sophie, and her death fro m Tuberculosis. Munch struggled with the int! erpretation of his experience, and the pain and personal meaning that it held. Finally, he perfect a coarsely textured, laborious picture. The critics were... If you want to get a full essay, order it on our website: BestEssayCheap.com

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